Recording first, restoring to a standard.
Most of what you hear is captured from scratch — real microphones and preamps rather than presets — then taken through rigorous spectral cleaning with tools like iZotope RX. All delivered material is exclusive to the project.
I move freely between large-scale orchestral writing and electronic / synthesised textures, currently completing a Master in Sonic Arts at Università Tor Vergata after an Audio Engineering degree at SAE Institute Milano.